| “COOLIE” FROM FRENCH INDIA TO CARIBBEAN |
N.Nandhivarman
“Jahaji Bhai” is a documentary film with an Urdu title, which means brothers of the ship. These are not sailors of the same boat as the English idiom indicates but literally are slaves taken away in the same ship. These are bonded labour taken 167 years ago in ships to erstwhile colonies of the Caribbean region. Suresh Kumar Pillai had tried to capture their miseries in this documentary on a totally forgotten peoples. Why did people from India go to Caribbean’s? The historical necessity arrives with the abolition of slavery in the nation ruled by white colored people. After the black race got reprieve from slavery, to work in the sugar plantations Indians from Chota Nagpur areas, mostly tribal people were lured into.
The first ship left Calcutta in February 1838 and reached Guyana on May 5 th 1838. There were 420 hill coolies, as they were called, out of which 50 are women and 10 children. Many succumbed to diseases in mid way and those who reached there had either to perish under stress and strain within the 5-year contract period or to be killed for so called violations.
In fact many ships went missing and no one was there to shed a single drop of tear. If an Indian coolie absented for 7 days he was fined $24 dollars, which is equivalent to 6 months wages. These Indians lost their roots and culture. While liberated Negro slaves climbed in the social ladder, Indians filled that vacuum at the rock bottom of society. They were induced to become addicts to alcoholism. With few women around polyandry became the order of the day. Africans joined Europeans to suppress the brown race. Picturing their everyday lives and showing lot of documentary proof with regard to their plight from various sources, Suresh Kumar Pillai in this documentary records an unknown chapter on Indian migration. Ravi Dev, Leader of the Roar Guyana Movement speaks for his fellow brethren and a 103 old man tries hard to recollect his fellow passengers of the ship that carried them from India, all shown in the documentary.
While British India stopped labour supply due to awareness and campaigns, French India provided a fertile ground for hunting neo-slaves. Suresh Kumar Pillai had shot another documentary on these pathetic brethren. “ Songs of Malabaris” is a film on coolie migration from Pondicherry and its enclaves towards Caribbean sugar plantations. All South Indians are called as Malabaris or Madrasis it must be remembered. The French recruited the labourers mainly from Pondicherry, Karaikal, Chandranagore and Mahe and between 1854 and 1920 around 50,000 Indian labourers were taken to Guadeloupe and Martinique to work as coolies. It should be stressed that only Mahakavi Bharathiar immortalized the woes of the sugar plantation labourers in his poem”karumbu thottathile”. No one else bothered about our unfortunate kinsmen.
The Indian labourers in French colonies had to face stiff resistance from the Africans because the Indians had to work for paltry pittance, which freed Africans refused to comply. Thus Indians occupied the lowest of the low position in the French Caribbean society and called as “Cooli Malabarise”or “Chappa Coolies”. Indian coolies were never allowed to practice their religious faiths or to speak their native tongues on the plantations .The labourers had to be French in every sense. This was in sharp contrast to other Dutch colony of Suriname or British colony of Trinidad and Guyana where the Indians had some amount of freedom to retain their language and culture. The film looks at the history of migration of Indians to French West Indies and their struggle to retain their religion and culture against the French policy of assimilation.
Suresh Kumar Pillai holds a Post Graduate Diploma in Mass Communication along with fifteen years journalistic experience in print and electronic media. “Once More Removed”, a documentary film on 19th century migration of an Indian family from Bihar and Uttar Pradesh to Caribbean for HBO Documentaries USA is another memorable documentary. “The Song of Malabaries” for Nederland based OHM media network was telecast on Nederland National Television Channel in June 2004. Mr.Pillai also researched, wrote, shot, produced and directed a three 50 minutes documentary series Jahaji Bhai on the Indian communities in Guyana and Trinidad under own banner Trikkan Image Systems. The film was widely circulated and telecast in several TV stations in Caribbean and India 2003
With documentaries like these screened in Dutch and French televisions to his credit Suresh Kumar Pillai has set his eyes on a sleepy village called Arikkamedu in the suburbs of Pondicherry. Arilkamedu, the site of archeological excavations, which had established Pondicherry’s connections with Roman Empire in pre-Christian era, had caught his imagination and Pillai rented a house and is living for 6 months and more to collect artifacts for his film. In that process he wants to set up a site museum there. Mr.K.K.Chakravarthy Secretary to Union Government and Director General National Museum New Delhi recently in a meeting of scholars convened by Department of Arts and Culture Government of Pondicherry expressed the desire for landscaping and recreating the past to draw tourists to our museums. Professor Kishore K.Basa Director of Indra Gandhi Rastriya Manav Sangrahalaya Bhopal stressed the need to promote archaeological tourism. And Mr.Pillai’s dream to start a private museum to promote Arikamedu falls under the categories advised by these scholarly bureaucrats.
While working on his current dream project Mr. Suresh Kumar Pillai had done right thing to draw our attention towards the descendants of those survived Indian indentured migrants today who form a significant ethnic minority in the larger Black Caribbean world known variously as East Indians, Indo-Caribbean, West Indian Indians. The people of Indian origin spread across several island nations such as Trinidad & Tobago, Jamaica, Grenada, Barbados, and St. Vincent, St. Lucia and in South American countries like Guyana and Surinam. “The extraordinary cultural fusion that took place in the New World, a grand meeting place of four great civilizations - Amerindians, Indians, Africans and Europeans gave birth to some unique social, cultural and religious practices which are traditional in its content but western in its formal expressions” says Suresh Kumar Pillai in his introductory note on the film. Film after film he has set noble tasks and the awareness he generates by such documentaries reach abroad, but he is concerned more in awakening the sleepy village of Arikkamedu which has become his home now.
Courtesy 11 June 2005 New Indian Express
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